After the target encoder runs, its output is indexed at the masked positions (the ones the context encoder didn’t see) to extract the representations the predictor must match. These target representations are the “answers” for the prediction task.
Ancient Greek gods, adorable raccoons and hypnotic puzzling from Olympus to the mortal realm and back
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In code, the progression is defined as a simple array of time windows:
In the things I’ve done before Odysseus and some of the things I’ve done after Odysseus, I have focused a lot on creating emotional play for players, but I’ve also approached that with creating an abundance of content. Characters have so many plots they definitely aren’t going to get bored, and there’s going to be so many things they can do and interact with and have emotional contact with, that some of those things definitely work out. That’s the design philosophy. I’ve done quite a few of those kinds of larps, and in some ways Odysseus was very much that kind of larp, as well because there were a lot of things going on.
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The main gotchas with this approach are that 1. it’s brittle if the interface changes, and 2. if you don’t prefix your methods on the Rust-side with js_*, you can run into namespace collisions (hence why I recommend prefixing these everywhere by convention). As an added bonus, this makes you very aware of where you’re making method calls over the Wasm boundary.
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